Especially since he completely missed that he was getting himself into massive danger by taking on this job, despite the fact that in the beginning he was characterized as being so calculating and ahead of the game.Īnd at the very end, during the denouement, the film completely changes tone. And that makes some of his more over the top decisions a bit unbelievable. Roger’s “normal” life seems completely removed from his thieving world, which takes up the main part of the film. It begins by establishing Roger as an excellent headhunter and art thief who has constructed the perfect life, but this establishment is rushed so that we can get to the action of the heist and subsequent chase. It was a sort of palate cleanser from all the schlocky Hollywood thriller conventions that have become so very predictable.īut this film was not without its flaws. I found myself constantly in disbelief at the stakes and how far things were going. What follows is a tense, nail-biting game of cat and mouse that goes way beyond what you would expect. Never mind that Clas is a former mercenary, and never mind that his last job was for a firm that invented nanotechnology tracker chips-the job must be done. Not only is Clas a very good looking candidate for the CEO position that Roger has been looking to fill, but he also happens to have a painting that could be worth up to 100,000,000 dollars. Luckily, this is where Roger meets Clas Greve (Nikolaj Coster-Waldau). What is poor Roger to do? for he mustn’t stop splurging on his wife. He explains that he must do this in order to compensate for the fact that he is far too short a man to be with so magnificent a creature.īut the bills are mounting up. This allows him to shower his gorgeous wife with wealth and gifts. Through small talk with the influential people he comes in to contact with, he learns what art they have and what their schedules are so that he can smoothly break in and replace their originals with forgeries. Roger is Norway’s top “headhunter.” In other words, he’s the best of the best when it comes to hiring high profile types for mutli-national corporations. It opens with Roger Brown (Aksel Hennie). It’s based on the 2008 thriller novel of the same name by Jo Nesbø. Headhunters, or Hodejegerne, is a new film by acclaimed Norwegian director Morten Tyldum.
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